![]() Scoring of a Dramatic or Comedy Picture: Alfred Newman ![]() ReissĬostume Design (b/w): Charles LeMaire and Mary Wills Through some exterior shots of the German police searching, and sounds, he conveys the feeling of unbearable confinement.Īrt Direction-Set Decoration (b/w): Lyle R. For a while, he captures the illusion of action, tension, and suspense, despite the constriction of space. Stevens’ direction is painstakingly meticulous in attention to detail but overall it is too explicit and uninspired. Otto then glances at Anne’s diary and reads, “In spite of everything, I still believe that people are really good at heart.” Though he always hoped that Anne had somehow survived, he then sadly reveals that while in Rotterdam, he met a woman who had been in Bergen-Belsen with Anne and she confirmed his daughter’s death. The epilogue, unmistakably trying to send an optimistic message, goes back to 1945, when Otto tells Miep and Kraler that after being released from the concentration camp he learned how Edith, Margot, the Van Daans, and Dussell perished. Just before being arrested, Otto Frank observes: “For the past two years we lived in fear, now can live in hope.”įor her part, Anne expresses wishes that her diary will be found and read one day. Van Daan misses his comforts and food and in the end turns into a thief to fill his stomach. Her weakling of a husband (Lou Jacobi) is irksomely sluggish and pathetically lax. Van Daan, Shelley Winters put on 15 pounds before shooting began, and then as the story progresses and her nutrition drops, she took off 25 pounds. Later on, she goes to pieces when her greedy husband wants to sell her fur coat. ![]() Winters excels as a simple woman, limited by meager resources who can barely cope with the situation. Van Daan, mother of Peter (Richard Beymer). Shelley Winters gives a flashy, Oscar-winning performance as the crude yet sad and human Mrs. The Van Daan couple represents the reality and humanness of the older people in the attic. (Ironically, as a screen actress, Strasberg herself lacked those qualities). The part calls for an actress who could make the audience understand and feel the power of her emotional truth, her growing pains, her feelings as a young woman.Ĭritics at the time pointed out that Millie Perkins lacked the natural glow and exquisite expressiveness that Susan Strasberg (daughter of acting guru Lee Strasberg) had in the stage production. ![]() Perkins looks physically right but she doesn’t sound or act right. The film’s major flaw is the casting of the inexperienced Millie Perking in the role of Anne Frank since she is the center of the narrative and we experience the ordeal through her eyes. William Mellor’s fluid camera work communicates the muted horror of the prohibitive confinement in a restricted space. While the exteriors were shot in Amsterdam, the rest of the film was made on studio sets. Stevens’ epic-length saga offers an intimate account of human survival and heroism, centering on the harrowing ordeal and brave behavior of eight Jews hiding in an attic in Nazi-occupied Amsterdam. Since 1959, several docus, TV movies, and mini series have been made on the subject, trying to tell the story from different perspectives. The Diary was first published as a memoir, then became the source of Broadway play, by Frances Goodrich and Albert Hackett. ![]()
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